she could not understand, and softly answered / Who? Just this one word, which the poet italicizes! We are meant to notice something here, some fundamental change not only in Eurydice but also between her and Orpheus.
Romanyshyn reads Rilke’s Eurydice as enacting a radical autonomy—her ‘Who?’ signals that transformation in the underworld dissolves the ego-claims of the living upon the dead, and by extension the researcher’s claims upon the soul of the work.
, The Wounded Researcher: Research with Soul in Mind, 2007thesis