The essence of individuation is the achievement of a personal blend between the collective and universal on the one hand, and, on the other, the unique and individual. It is a process, not a state; save for the possibility of regarding death as an ultimate goal, individuation is never completed and remains an ideal concept. The form the individuation process takes, its style and the regularity or fitfulness of it, depends on the individual. Nevertheless, certain images express the kernel of the individuation process; for example, a journey, death and rebirth, and symbols of initiation. Jung found parallels in alchemy. Base elements (the instincts, the ego) are transformed into gold (the self).
— Andrew Samuels
Samuels is careful here, and the carefulness matters. Individuation is a process, not a state — meaning it has no arrival point, no condition in which the work is finished and you can set it down. That precision quietly dismantles one of the more common uses the concept gets put to: individuation as the name for a journey toward wholeness, toward a self that is finally integrated, finally at rest. The alchemical parallel Samuels inherits from Jung is almost too vivid in this regard — base elements transmuted into gold. Gold does not continue to transmute. It sits there, finished, gleaming.
What Jung actually found in alchemy, when you follow the *opus* closely, is less a metallurgy of achievement than a sustained engagement with the prima materia that keeps returning to its unresolved state. The gold is a symbol, not a destination. The individuation process mirrors that: the "blend" between collective and individual is never a settled ratio but something renegotiated at each threshold. What the passage discloses, almost in spite of its tidiness, is that the soul does not graduate. The form individuation takes — regular, fitful, recognizable, utterly strange — is already its substance, not a path toward some other substance waiting at the end.
Andrew Samuels·Jung and the Post-Jungians·1985