There is something uncanny about reenactments. Even when they are consciously chosen, they have a feeling of involuntariness… Freud named this recurrent intrusion of traumatic experience the ‘repetition compulsion.’
Herman identifies reenactment’s defining paradox—its felt involuntariness even when consciously initiated—and traces the concept through Freud’s ‘daemonic’ formulation, Janet’s assimilative model, and the unresolved debate between adaptive and death-instinct explanations.
, Trauma and Recovery: The Aftermath of Violence—From Domestic Abuse to Political Terror, 1992thesis