Phantasiai — the plural of phantasia, denoting discrete sensory representations or appearances produced by the faculty of imagination — occupies a contested and generative position across the depth-psychology corpus. The term operates on at least two distinct theoretical registers. In the Aristotelian tradition, as Hendrik Lorenz demonstrates with sustained precision, phantasiai are understood as preserved sensory affections, changes arising from perceptual activity that persist after the original stimulus has passed. They serve as the cognitive bridge between perception and desire-formation, functioning as necessary conditions for purposive locomotion in animals capable of it: desire that underwrites goal-directed movement requires a suitable phantasia. Lorenz carefully distinguishes perceptual phantasia, available to all sentient animals, from rational phantasia, which involves reasoning and is restricted to humans. In the Stoic tradition, as treated by Hadot, Inwood, and Sorabji, phantasiai assume a different valence: they are impressions that strike the soul prior to assent, and their management — whether through withholding judgment, cultivating correct presentations, or examining their propositional content — constitutes the central practical task of Stoic ethics. The tension between these two traditions is irreducible: for Aristotle, phantasiai are primarily motivational mediators embedded in a naturalistic psychology; for the Stoics, they are the first site of cognitive and ethical intervention. Nussbaum and Sorabji trace the therapeutic and moral dimensions of this contrast.