Within the depth-psychology corpus, ‘pagan’ operates simultaneously as an etymological category, a cultural-psychological stance, and a polemical counter-position to monotheism. Hillman provides the most sustained theoretical elaboration: recovering the Latin paganus as denoting ‘the people of a place,’ he repositions paganism not as primitive religion but as a place-specific, animistic, polytheistic sensibility fundamentally opposed to the universalizing logic of monotheistic consciousness. This move licenses archetypal psychology’s ecological and imaginal commitments, aligning tree-huggers with tree-worshippers and reading environmentalism as paganism in contemporary dress. The deeper structural tension Hillman diagnoses is a ‘basic cleft’ in Western culture between the pagan (Greek, Roman, Etruscan, Celtic, Germanic) imagination and the biblical imagination — a cleft that generates the cultural pathology of image-sickness, since monotheism identifies images with idolatry. Von Franz approaches the same fault-line from a Jungian developmental perspective, noting that European fairy tales preserve a subterranean pagan stratum that the Christian overlay never fully suppressed, and that alchemy represents a deliberate attempt to suture the two. Miller extends this into a diagnostic concern: as Christian cult fades, a ‘psychic paganism’ — atomized, uncontained symbol-formation — risks degenerating into popular occultism unless met with adequate psychological theory. King provides the historical corrective, establishing ‘pagan’ as a Christian construct of the fourth century, a point that reinforces Hillman’s argument that the term is always already an instrument of the alieni.