Within the depth-psychology corpus, 'Michael' operates across several distinct registers, none of which achieves systematic theoretical elaboration but each of which carries meaningful symbolic, clinical, or biographical weight. In Jung's Aion, Michael the archangel appears in terse but consequential juxtaposition with the lion symbol of Christ, situating the archangelic figure within the broader cosmological drama of the Self and the Aion. Corbin's Iranian Sufi studies likewise catalogue Michael as an archangel within the celestial hierarchy of Persian mysticism, where angelic mediators constitute the mundus imaginalis. At the clinical level, Wiener deploys 'Michael' as an anonymised patient whose marked difficulty with transference intimacy and claustrophobic response to shared psychic space illustrates the archetypal self-care system described by Kalsched. Yalom's child-patient Michael furnishes existential-developmental evidence that death anxiety can manifest with urgency even in the very young. Biographically and culturally, 'Michael Meade' recurs in Russell's biography of James Hillman as a co-facilitator of the men's movement whose mythic sensibility stood in productive tension with Hillman's own darker cosmology. The name also surfaces as a translator of Ferenczi and as a Pixar artist encountering awe. The cumulative picture is one of dispersed but thematically resonant appearances: angelic mediator, clinical case study in relational pathology, existential child, and mythopoetic collaborator.
In the library
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for Michael, a shared area can easily become a claustrophobic space from which he has to escape... He has developed a hard yet brittle carapace of self-reliance, reminiscent of Kalsched's archetypal self-care system.
Wiener uses Michael as a clinical case demonstrating how early neglect and the archetypal self-care system produce a patient for whom transference intimacy is structurally threatening.
Wiener, Jan, The Therapeutic Relationship: Transference, Countertransference, and the Making of Meaning, 2009thesis
Michael and, 75 symbol of Christ, 72 of the tribe of Judah, 105
In the Aion index, Jung places Michael in direct symbolic proximity to the lion as a figure of Christ, situating the archangel within his cosmological analysis of the Self's aeon-long drama.
Jung, Carl Gustav, Aion: Researches into the Phenomenology of the Self, 1951thesis
Corbin catalogues Michael as an archangel within the Iranian Sufi celestial hierarchy, where angelic figures constitute the mediating realm of the mundus imaginalis.
Corbin, Henry, The Man of Light in Iranian Sufism, 1971supporting
Michael seemed convinced, his father concludes, that he had to keep on drinking fluid or else he, too, would die. Michael's story indicates that death can be a source of significant distress for the very young child.
Yalom presents the child Michael as clinical evidence that death anxiety — including somatic magical thinking — can constitute a formative existential crisis very early in development.
Yalom, Irvin D., Existential Psychotherapy, 1980supporting
The topic that Bly, Hillman, and Michael Meade chose for the 750 in attendance
Russell documents Michael Meade as a principal co-facilitator alongside Hillman and Bly in the men's movement, whose mythopoeic approach shaped the cultural and psychological content of their collective work.
Russell, Dick, Life and Ideas of James Hillman, 2023supporting
Meade finally jumped in to say to him, 'You're talking about your own death.' Hillman then became angry, accusing Meade of explaining him.
Russell captures the intellectual friction between Hillman and Michael Meade over mythic frameworks of collapse versus rebirth, revealing divergent depth-psychological orientations toward cultural crisis.
Russell, Dick, Life and Ideas of James Hillman, 2023supporting
she married Michael, a highly Extraverted journalist, who enjoys being on the road, meeting new people and seeing new places.
Thomson uses the couple Lorna and Michael as a typological case study in symbiotic attraction between opposing psychological attitudes and the developmental crisis that ensues.
Thomson, Lenore, Personality Type: An Owner's Manual, 1998supporting
Lorna began to recognize that Michael's knowledge of networking could be helpful to her in her new context.
Thomson traces how forced individuation in Michael's relationship with Lorna illustrates the integration of the secondary function through relational crisis rather than deliberate agreement.
Thomson, Lenore, Personality Type: An Owner's Manual, 1998supporting
Translated by Michael Balint and Nicola Zarday Jackson
Michael Balint appears here as translator of Ferenczi's Clinical Diary, a bibliographic detail that situates Balint's role in transmitting Ferenczi's relational innovations into English-language psychoanalytic culture.
Ferenczi, Sándor, The Clinical Diary of Sándor Ferenczi, 1932aside
For Michael, Inside Out allows its viewers to reflect upon loss and the search for identity.
Keltner profiles Michael, a Pixar set artist, as a biographical illustration of how the pursuit of awe — originating in childhood wonder — can become a vocational and psychological organising principle.
Keltner, Dacher, Awe The New Science of Everyday Wonder and How It Can, 2023aside
'We'd get ones I wouldn't like....': Author interview with Michael Meade, May 2008.
Russell cites an interview with Michael Meade as a primary source for the experiential texture of the men's workshops, establishing Meade as a key witness to Hillman's collaborative mythopoetic practice.
Russell, Dick, Life and Ideas of James Hillman, 2023aside