Across the depth-psychology corpus, femininity operates as one of the most contested and generative terms, simultaneously a psychological principle, an archetypal structure, a historical burden, and a therapeutic imperative. Three broad positions can be traced. The first, rooted in Freudian and pre-Freudian biologism — surveyed extensively by Hillman in ‘The Myth of Analysis’ — constructs femininity as defined by anatomical lack, constitutively inferior, and irreducible to anything beyond reproductive function. The second, Jungian and post-Jungian, relocates femininity from biology to psychic structure: in Woodman, Harding, and Hillman’s archetypal revisionism, femininity names the receptive, containing, soul-bearing principle operative in men and women alike, suppressed by patriarchal culture and awaiting conscious reclamation. The third position, represented by Berry and Samuels, interrogates both preceding stances, warning that ‘the feminine’ may itself function as an ideological category — invented by masculine projection or inflated by feminist counter-idealization — and calling for greater terminological precision. The central tension throughout is between femininity as archetype (a transpersonal, psychically real principle) and femininity as social construction (a category that disciplines and constrains). Woodman’s project of ‘conscious femininity’ attempts to resolve this tension by grounding the principle in bodily and spiritual experience, while Hillman’s archetypal psychology ultimately argues that the acceptance of femininity constitutes the very telos of the analytic process.