The Eristic Method — the art of disputation conducted for the sake of contradiction, victory, or verbal display rather than genuine truth-seeking — appears in the depth-psychology corpus principally through its Platonic genealogy and its contrast with authentic dialectic. Plato’s dialogues, especially the Euthydemus, Theaetetus, Republic, and Charmides, furnish the foundational critiques: eristic is what dialectic degenerates into when philosophical inquiry loses its ethical orientation and becomes sophistic play. The Republic draws the sharpest distinction, opposing the eristic — ‘who is contradicting for the sake of amusement’ — to the dialectician seeking truth. In the Theaetetus, Plato diagnoses Heracliteanism as having sunk into eristic through its successors, demonstrating how once-vital philosophical currents can ossify into contentious wordplay. Nussbaum and Sedley extend the analysis into Hellenistic contexts, where eristic tendencies are traced from Megarian schools through figures like Menedemus of Eretria. For depth psychology, the eristic mode is significant as a negative counterpart to genuine soul-work: it enacts conflict without transformation, privileging agon over aletheia. James Hillman’s mythopoetic framework, by contrast, reclaims a form of productive eristic tension — open challenge as respect — distinguishing spirited contest from mere contradiction. The term thus marks a persistent fault-line between philosophy as therapeutic practice and philosophy as rhetorical competition.