Competition

Within the depth-psychology and classical studies corpus, 'competition' occupies a liminal position between the biological and the cultural, the archaic and the modern. The term does not present a unified theory but rather a field of tensions. At one pole, the Greek agonal tradition — anatomized by Burkert, Nagy, Adkins, and Hillman — treats competition as constitutive of cultural identity: the agôn is both ritual container and social engine, binding individuals to community through structured striving. Burkert demonstrates that Nietzsche's 'agonale Geist' reaches into sacrificial and cultic practice; Nagy situates the agôn as the traditional context of archaic poetry itself; Adkins exposes the ethical contradictions when competitive 'aretê' meets moral responsibility. At the other pole, Alexander and Fromm read modern competitive individualism as pathogenic, a product of market ideology that systematically dissolves the psychosocial integration essential to human flourishing. Hillman, characteristically, inhabits both sides simultaneously, tracing how heroic-athletic notions of power colonize the imagination. Meanwhile, Schore introduces a neurobiological register, in which competition for synaptic space during critical periods shapes the very architecture of the self. The term thus traverses the mythic, the ethical, the social-critical, and the neurobiological — making it a genuine crossroads concept for the library.

In the library

The agonal spirit, der agonale Geist, has, since Friedrich Nietzsche, often been described as one of the characteristic traits and driving forces of Greek culture. The number of things which the Greeks can turn into a contest is astounding: sport and physical beauty, handicraft and art, song and dance, theatre and disputation.

Burkert establishes the agôn as a pervasive structuring principle of Greek religious and cultural life, tracing its Nietzschean genealogy and enumerating the astonishing range of activities it encompassed.

Burkert, Walter, Greek Religion: Archaic and Classical, 1977thesis

Dig deeper with Sebastian →

As our nation anxiously obsesses over competitive productivity, as we aim to become more lean and more mean, our ideas of power have been shaped to conform with this dominating anxiety. Power must be productive and productivity must be heroic. These vigorous, competitive, athletic notions of power find their support not only in Western myths of the hero but also in Western Christianity.

Hillman argues that modern competitive productivity is a psychological formation rooted in heroic mythology and Christian athleticism, thereby pathologizing the cultural imagination around power.

Hillman, James, Kinds of Power: A Guide to Its Intelligent Uses, 1995thesis

Dig deeper with Sebastian →

Free-market ideology portrays unceasing individual competition as the path to universal wealth, progress, and happiness, and therefore regards individual gratification as the singular basis of all human motivation.

Alexander identifies individualistic competition as the ideological cornerstone of free-market society, arguing that it produces dislocation by displacing the social instincts Darwin identified as the highest human satisfactions.

Alexander, Bruce K., The Globalisation of Addiction: A Study in Poverty of the Spirit, 2008thesis

Dig deeper with Sebastian →

Competition is associated with developmental status and individual experience, and reflects the way the organism incorporates features of its environment.

Schore transports 'competition' into developmental neurobiology, showing that synaptic competition for cortical space — shaped by the caregiver's affective environment — is a foundational mechanism in the early organization of the self.

Schore, Allan N., Affect Regulation and the Origin of the Self: The Neurobiology of Emotional Development, 1994thesis

Dig deeper with Sebastian →

Unless the allotment of prizes bears some relation to the result of the race, there is no point in running at all, since the prizes could be distributed before the race starts. Accordingly, some attention must be paid to the result; and yet clearly in this society some attention must be paid to the aretê of the respective competitors as well.

Adkins uses the chariot-race dispute in the Iliad to expose the irreducible tension in Greek competitive ethics between procedural fairness and the social recognition of intrinsic excellence.

Arthur W.H. Adkins, Merit and Responsibility: A Study in Greek Values, 1960thesis

Dig deeper with Sebastian →

The agôn is also the traditional context of such archaic poetic forms as the Homeric Hymns — and we can see this from the use of the word agôn at HH 6.19–20.

Nagy demonstrates that the agôn is not merely athletic but is the institutional context that legitimates and structures archaic poetic production itself.

Gregory Nagy, The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry, 1979supporting

Dig deeper with Sebastian →

of anger is to increase the probability of success in the pursuit of one's ongoing desires and competition for

Panksepp situates competition within affective neuroscience as a functional correlate of the RAGE system, linking competitive striving to basic emotional circuits governing desire and resource acquisition.

Panksepp, Jaak, Affective Neuroscience The Foundations of Human and Animal, 1998supporting

Dig deeper with Sebastian →

the so-called drinking competition bears the stamp of a sacrifice. The peculiarities of the Choes-drinking are the norm at the bloody sacrifice: not just the silence, but the individual tables and the distribution in portions as equal as possible; above all, the atmosphere of pollution and guilt.

Burkert reveals that even Greek drinking competitions are structurally homologous to sacrificial ritual, arguing that competitive simultaneity ('everyone starts together') dissolves individual culpability — a ritual management of guilt.

Burkert, Walter, Homo Necans: The Anthropology of Ancient Greek Sacrificial Ritual and Myth, 1972supporting

Dig deeper with Sebastian →

Both fighters were girded up and came into the circle, and raised their fists and flexed their brawny arms, then fell together, battering each other with heavy blows.

The funeral games of Patroclus furnish the Iliad's primary extended depiction of institutionalized competition, here in boxing, framed as simultaneously honorific, social, and cathartic within the context of grief.

Homer, The Iliad, 2023supporting

Dig deeper with Sebastian →

there is no greater glory for a man as long as he lives than that which he wins by his own hands and his own feet.

The Phaeacian athletic contest scenes in the Odyssey encode the heroic ideology that competitive performance is the primary vehicle of self-definition and social glory.

Lattimore, Richmond, Odyssey of Homer, 2009supporting

Dig deeper with Sebastian →

The idea of efficiency assumed the role of one of the highest moral virtues. At the same time, the desire for wealth and material success became the all-absorbing passion.

Fromm traces how Reformation-era economic transformation moralised competitive productivity, providing the psychological substrate on which modern compulsive competitiveness would be built.

Fromm, Erich, Escape from Freedom, 1941supporting

Dig deeper with Sebastian →

OF THE ORIGIN OF HOMER AND HESIOD, AND OF THEIR CONTEST

The Contest of Homer and Hesiod exemplifies the agonal tradition extended to poetic creation itself, institutionalizing literary competition as a mythologized origin narrative for the entire archaic tradition.

Hesiod, Hesiod, the Homeric Hymns, and Homerica, -700supporting

Dig deeper with Sebastian →

evolutionary psychology, with its focus on the functional, adaptive origins of psychological traits, views jealousy not so much as 'toxic' or 'poisonous' but instead as playing an important, purposive role in our lives.

Lench's evolutionary framing of jealousy invokes competition for mates and resources as the adaptive context that gives the emotion its functional logic.

Lench, Heather C., The Function of Emotions: When and Why Emotions Help Us, 2018aside

Dig deeper with Sebastian →

agathos and aretê continue to commend courage in Sophocles, Euripides, Herodotus, Thucydides, and later writers. It was seen in Chapter III that agathos and aretê were reckoned by results rather than intentions.

Adkins documents the persistence of results-based competitive excellence as the primary metric of Greek moral evaluation, a standard that outlasts the archaic period into classical literature.

Arthur W.H. Adkins, Merit and Responsibility: A Study in Greek Values, 1960aside

Dig deeper with Sebastian →

Related terms