Coagulatio occupies a singular position in the depth-psychological appropriation of alchemical symbolism: it names the process by which the volatile, the spiritual, or the archetypal assumes concrete, embodied form. Within the corpus, Edward Edinger stands as the pre-eminent theorist of the term, devoting an entire chapter of his Anatomy of the Psyche (1985) to its elaboration and returning to it in subsequent works. For Edinger, coagulatio is not simply one operation among many in the alchemical sequence but the very signature of ego formation itself — the moment at which psychic potential crystallizes into the actuality of a person embedded in time, matter, and relationship. The term gathers under its conceptual canopy a cluster of motifs: incarnation, descent, desire, fixatio, the fall of the soul into bodily existence, and the burden of concrete reality. Edinger reads cosmogonic myths — Hindu churning narratives, Greek cosmologies, flood traditions — as symbolic elaborations of this same psychic movement. A central tension runs throughout: matter and embodiment carry the shadow of sin and evil in Western religious thought, yet coagulatio is simultaneously valorized as the necessary ground for individuation and the Self’s incarnation in human consciousness. The Mysterium Lectures (1995) add a further nuance, distinguishing regressive from progressive forms of coagulatio, thereby calibrating the concept to the stages of the coniunctio.