Apotheosis — the elevation of a mortal or created being to divine status — occupies a structurally pivotal position in the depth-psychological corpus, functioning simultaneously as a mythological motif, an alchemical endpoint, and a psychological description of individuation’s most exalted reaches. Jung indexes apotheosis in both Aion and Mysterium Coniunctionis as a technical term denoting the divinization of the Self and, specifically, the queenly or Virgin-maternal figure, situating it alongside alchemical transformation and Assumption symbolism. Edinger elaborates the motif through the lens of Christ’s passion, resurrection, and glorification, reading kenosis and apotheosis as complementary poles of a psychological process in which the ego descends into total dissolution before being raised to a new ontological status. Campbell treats apotheosis structurally as the climactic inner stage of the monomyth — the hero’s ultimate atonement with the father-principle and participation in divine being. Hollis deploys the term clinically and mythically, citing Oedipus at Colonus as the archetypal instance of suffering redeemed through sacred blessing. The Orthodox theological tradition, represented by Louth and the Philokalia, transmits apotheosis under the Greek term theosis, framing it as participatory divinization through grace. Tension arises between the individualistic, psychological reading of apotheosis as ego-dissolution and Self-realization, and the theological reading as communal, grace-mediated union with God.