What does it mean that the body keeps the score and how does somatic work address it?
The phrase belongs to Bessel van der Kolk, and it names something that clinical observation had been circling for over a century before neuroscience could confirm it: traumatic experience does not primarily live in narrative. It lives in the body — in posture, in autonomic arousal, in the procedural habits of a nervous system that learned, under conditions of inescapable threat, to organize itself around survival. When the frontal lobe shuts down under extreme stress, the region necessary to put feelings into words goes offline along with the sense of location in time. What remains are the emotional brain's imprints: fragmented sensory and emotional traces — images, sounds, physical sensations — organized not as coherent stories but as somatic facts. Van der Kolk (2014) describes the consequence directly:
The imprints of traumatic experiences are organized not as coherent logical narratives but in fragmented sensory and emotional traces: images, sounds, and physical sensations.
Pierre Janet, working at the Salpêtrière in the 1880s, had already seen this. His patient Irène, amnesiac for her mother's death, would re-enact the deathbed scene in trance — not remembering it but performing it, the body carrying what the mind could not hold. Janet called these unassimilated fragments "pathogenic secrets," mental parasites that kept forcing themselves into consciousness because they had never been integrated into the larger synthesis of personality. The body, in this account, is not a passive container of experience but an active memory system — one that operates largely outside verbal reach.
Ogden's sensorimotor psychotherapy (2006) takes this seriously as a clinical premise. Traumatic memory is composed largely of what she calls procedural memory — the implicit, behavioral learning that runs automatically, below conscious access. The nervous system that learned to freeze, collapse, or brace under threat continues to enact those patterns long after the danger has passed. Clients describe it precisely: I know I'm okay now, but I react in my body as if the trauma were still happening. This is not irrationality; it is the logic of a system that learned its lessons too well.
Because traumatic "memory" is composed largely of nonverbal, situationally accessible memories, techniques for resolving trauma must elicit, process, and aid in the digestion of all its components: procedural, perceptual, autonomic, motor, emotional, and cognitive.
The therapeutic implication is that talking about the trauma — the top-down model that has dominated psychodynamic and cognitive-behavioral traditions — addresses only part of the problem. Narrative formulation, insight, and affective connection are genuinely useful; Ogden does not dismiss them. But they leave the procedural layer largely untouched. What has been implicitly, somatically learned must be disrupted — not interpreted but observed, tracked, and replaced with new physical actions. The body's habitual tendencies (the frozen posture, the collapsed chest, the bracing that "wanted to happen" at the moment of the original threat but could not complete itself) must be allowed to move toward completion. When they do, something shifts that no amount of narrative revision can produce: the client feels the mastery inherent in their own somatic resources, and the memory begins to acquire what Janet called realization — the sense that this happened, it happened in the past, and it happened to a self that is no longer helpless before it.
Hillman, approaching the body from a very different angle, offers a corrective to the Cartesian inheritance that underlies much of the difficulty here. When body becomes res extensa — dumb, passive matter subject to the will — it becomes the seat of all resistance to improvement, and the therapeutic project becomes one of forcing the body to comply with the mind's intentions. Hillman (2007) names this directly:
Lots of troubles when body becomes Cartesian. It then becomes our earth and our ground, and a dumb passive instrument subject to our will. Then it is but a short mental step to blame the unwilling, inert, or sensuous aspect of body for its sluggish refusal to follow the upward drive of spirit.
The somatic turn in trauma work is, among other things, a refusal of this inheritance. It does not treat the body as an obstacle to be overcome or a symptom to be managed but as the primary site of the soul's speech — the place where what could not be said is still being said, in the only language available to it. The body keeps the score not as a failure of the mind to process experience but as a form of fidelity: the nervous system holding, with extraordinary precision, what the narrative self could not afford to know.
- thumos — the Homeric spirited interior, a field of semi-autonomous organs that held experience before the soul-body split
- James Hillman — portrait of the founder of archetypal psychology, including his critique of Cartesian body-mind dualism
- somatic psychology — glossary entry on body-centered approaches to psyche and healing
- Pierre Janet — the nineteenth-century clinician who first distinguished narrative memory from traumatic memory and developed phased treatment
Sources Cited
- Van der Kolk, Bessel, 2014, The Body Keeps the Score
- Ogden, Pat, 2006, Trauma and the Body: A Sensorimotor Approach to Psychotherapy
- Hillman, James, 2007, Mythic Figures