Projection of the coniunctio in marriage
Marriage begins, for most people, in a state of magnificent confusion. Two people meet and something ignites — not quite the other person, but an image carried within, suddenly finding a face to inhabit. Jung names this image the anima in men, the animus in women, and in "The Development of Personality" he is precise about what happens at the altar:
Every man carries within him the eternal image of woman, not the image of this or that particular woman, but a definite feminine image. This image is fundamentally unconscious, an hereditary factor of primordial origin engraved in the living organic system of the man, an imprint or "archetype" of all the ancestral experiences of the female... Since this image is unconscious, it is always unconsciously projected upon the person of the beloved, and is one of the chief reasons for passionate attraction or aversion.
The beloved, in other words, is never quite the person standing there. She or he is also the carrier of something the projector has not yet owned — the soul's other half, the contrasexual depth that consciousness has not integrated. This is the ordinary beginning of love, and it is also, structurally, the beginning of the alchemical opus.
The coniunctio — the union of opposites that Jung traces through the Rosarium Philosophorum in "The Psychology of the Transference" — is the archetype that marriage constellates without either partner knowing it. Jung is explicit that the coniunctio is not a personal achievement but an archetypal event that seizes the couple from below:
The coniunctio is one of these archetypes. The absorptive power of the archetype explains not only the widespread incidence of this theme but also the passionate intensity with which it seizes upon the individual, often in defiance of all reason and understanding.
What the couple experiences as falling in love is, at the deeper level, the coniunctio projecting itself through them — the hieros gamos, the sacred marriage of divine opposites, using two mortals as its vessel. Jung notes in the same text that Rosencreutz in the Chymical Wedding is only a guest at the feast, permitted to glimpse the royal marriage but not to possess it. The inflation that accompanies romantic love — the sense that one has found the perfect other, that the world has opened — is precisely this: the ego mistaking itself for the divine couple, claiming as personal what is archetypal.
The marriage quaternio that Jung develops in "The Psychology of the Transference" makes the structure visible: conscious man, conscious woman, his anima, her animus — four poles, not two. What passes between the partners is never simply a personal exchange. As Jung writes, "the most important part falls to the man's dealings with the anima and the woman's dealings with the animus." The coniunctio does not occur between the two egos; it occurs between the anima and animus, the inner figures, who use the outer relationship as their theater.
This is why the projection fails — and must fail. Harding, in The Way of All Women, locates the structural moment precisely: after the first glamor wears off, each partner begins to realize that the other does not see them as they are, but distorted — glorified in some ways, depreciated in others. The projection of the soul-image cannot be sustained indefinitely against the fact of an actual person. Banzhaf puts it bluntly: the partner has not changed at all; only the power of projection has weakened. What follows — the disillusionment, the anger, the sense of betrayal — is not the failure of the relationship but its first honest moment.
The question is what happens next. Campbell's reading is compassion: the fact that shows through the mask of the projection is imperfect, as all facts are, and the movement from projection to genuine encounter requires meeting "a human being for a change." Edinger, in Science of the Soul, frames the same moment as the necessary work of the opus: the partners must learn to distinguish the human being from what has been projected onto them — shadow, anima, animus — and submit not to the other person's power but to the inner authority of the Self that shines through these figures.
Von Franz, drawing on Jung's unpublished seminars, adds the dimension that makes this more than a therapeutic program. When two people in a relationship are genuinely on the path of mutual individuation, something else is constellated behind the personal exchange — the motif of the hieros gamos at the suprapersonal level, the divine couple whose union the human couple can only partially embody:
When a relationship approaches real depth, then this coniunctio mysterium somehow lights up out of the timeless realm and shines through all the desires, resistances, projections, and ideas appearing on the surface. For the most part this happens only in certain moments and fades away the next moment.
The projection of the coniunctio in marriage is therefore not an error to be corrected but a disclosure to be read. The soul is running the ratio of desire — de-sidera, from the stars, the longing for what was volatilized — and it projects that longing onto the nearest available face. The projection fails because no person can carry an archetype indefinitely. What the failure discloses, if the partners can bear it, is that the wholeness they sought outside themselves was always an inner task. The coniunctio does not happen between two people; it happens within each, through the encounter with the other. The marriage is the occasion; the opus is interior.
- coniunctio — the alchemical union of opposites as the goal and process of individuation
- anima and animus — the contrasexual soul-images whose projection initiates and complicates love
- marriage quaternio — Jung's fourfold structure of the relational field between two partners
- hierosgamos — the sacred marriage of divine opposites underlying the human erotic encounter
Sources Cited
- C.G. Jung, 1954, The Development of Personality
- C.G. Jung, 1954, Collected Works Volume 16: The Practice of Psychotherapy
- Esther Harding, 1970, The Way of All Women
- Edward F. Edinger, 2002, Science of the Soul: A Jungian Perspective
- Marie-Louise von Franz, 1993, Psychotherapy
- Joseph Campbell, 2004, Pathways to Bliss: Mythology and Personal Transformation