One of the essential features of the child motif is its futurity. The child is potential future. Hence the occurrence of the child motif in the psychology of the individual signifies as a rule an anticipation of future developments, even though at first sight it may seem like a retrospective configuration. Life is a flux, a flowing into the future, and not a stoppage or a backwash. It is therefore not surprising that so many of the mythological saviours are child gods. This agrees exactly with our experience of the psychology of the individual, which shows that the "child" paves the way for a future change of personality. In the individuation process, it anticipates the figure that comes from the synthesis of conscious and unconscious elements in the personality. It is therefore a symbol which unites the opposites;23 a mediator, bringer of healing, that is, one who makes whole. Because it has this meaning, the child motif is capable of the numerous transformations mentioned above: it can be expressed by roundness, the circle or sphere, or else by the quaternity as another form of wholeness.24 I have called this wholeness that transcends consciousness the "self."
— Carl Gustav Jung
Jung is watching the psyche reach forward, and he names what it reaches toward: wholeness, the self, the synthesis that makes the child motif feel curative even before anything has changed. That anticipatory charge is real — something in the appearance of a child-dream or child-symbol does feel like arrival rather than loss, like the future pressing against the present membrane.
But notice what is quietly installed in this passage: the child arrives as healer, savior, mediator of the opposites. The mythological genealogy Jung offers — child gods, saviours — is not incidental decoration. It is the pneumatic current running beneath the individuation language. The self that "transcends consciousness" is spirit wearing psychology's vocabulary. The circle, the sphere, the quaternity — these are not neutral geometric descriptions; they are the soul's oldest images of escape from the unresolvable, from the thing that doesn't round off.
What Jung has caught is genuine: the psyche does gesture toward something beyond its present configuration, and that gesture arrives in the image of a child. What the passage cannot quite ask is whether the child signals real transformation or the soul's next attempt to outrun what it already carries — whether it is futurity or the ratio of desire dressed in the most disarming costume the unconscious possesses.
Carl Gustav Jung·The Archetypes and the Collective Unconscious·1959