Eros is never something we have; it has us. "What ts Love?" Plotinus asks. "A God, a celestial Spirit, a state of mind?" ® If the last, then we have psychologized the God. Kerényi has written that Eros "embraces in his essence the phallic, the psychic and the spiritual, and even points 64. Plotinus Enneads III. 5. 1. 65. Ibid. 70 THE MYTH OF ANALYSIS beyond the life of the individual being." ® More than child, more than phallus-penis, more than the moving masculinity of love, Eros stands in the context of Greek consciousness as we reconstruct it as a figure of the metaxy, the intermediate region, neither divine nor human, but the principle of intercourse between them. As Robin has put it, Eros in Plato acts as synthesizer and intermediary." Kerényi points out the connections with Hermes which emphasize Eros as communicator and psychopompos." The paucity of early representations of Eros in comparison with other mythological figures places him in another, perhaps less representable world, neither wholly archetypal and divine nor wholly personal and physically human.
— James Hillman
Hillman is pressing on something Plotinus already sensed: the moment you make Eros a state of mind, you have lost him. He becomes a possession — something you can track, manage, perhaps improve. The whole modern therapeutic project quietly bets on this reduction. If love is fundamentally a psychic phenomenon, then it belongs to the person who is experiencing it, and the person can, in principle, do something about it. Plotinus raises the question as genuine perplexity; Hillman raises it as a warning.
The figure Kerényi recovers is far less convenient. An Eros who embraces phallic, psychic, and spiritual dimensions simultaneously, and who exceeds any individual life, cannot be worked on. He works on you. The *metaxy* — that intermediate region Plato's Diotima already described and Hillman keeps returning to — is precisely the space that resists ownership. Neither fully archetypal nor fully personal means there is nowhere to stand that gives you leverage over it. The connections with Hermes are telling here: both figures move across boundaries, both are unreliable as possessions, both operate as communicators between realms you cannot simultaneously inhabit. You do not cultivate a relationship with Hermes. You notice, after the fact, that something moved.
James Hillman·The Myth of Analysis: Three Essays in Archetypal Psychology·1972