Sophia — Divine Wisdom — occupies a peculiarly rich and contested position within the depth-psychology corpus, functioning simultaneously as a theological category, an archetypal feminine figure, and a cosmological principle mediating between God and world. The most systematic treatment belongs to Sergei Bulgakov, whose 1937 Sophiology presents Sophia as the self-revelation of the entire Holy Trinity — the divine Ousia manifested through Son and Spirit — while also identifying a creaturely Sophia as the entelechy and ontological ground of the created world. Bulgakov’s position provoked immediate ecclesiastical resistance, accused of introducing a ‘fourth hypostasis’ alongside the Trinitarian persons, and his work stands as the central contested document in the field. Henry Corbin, approaching from Islamic mysticism, relocates Sophia within Ibn Arabi’s sophiology, where she appears as ‘Christic Sophia’ (hikmat ‘isawiya) — a theophanic feminine being of simultaneously human and angelic nature, encountered in visionary perception and inseparable from creative imagination. Edward Edinger, reading from a Jungian vantage, traces Sophia’s career from Proverbs through Gnosticism, medieval Sapientia Dei, and into alchemy, where she appears as prima materia entrapped in matter and seeking rescue. Marie-Louise von Franz’s commentary on the Aurora Consurgens illuminates this alchemical stratum. The term thus traverses Orthodox theology, Sufi gnosis, and analytical psychology, generating productive tensions around the femininity of wisdom, the fall of Sophia, and the relation of divine to creaturely knowledge.