The concordance 12 witnesses
Orientation
A man who lives day and night as the wise old man is, Jung told his Zarathustra seminar, “something between a corpse and a fool”: swallowed by the archetype meant to counsel him. That warning fixes the figure’s paradox: the Self personifies as an intelligence that helps only when it is not inhabited. Marie-Louise von Franz, following Jung’s essay on the spirit archetype, finds the old man or helpful dwarf of fairy tales arriving precisely when the hero’s resources fail; her alchemical studies trace the same figure in Hermes Trismegistus with his tablet and in Blake’s bearded God the Father, images of wholeness rather than portraits of persons. Jung insists the wise old man is always associated with the anima, which distinguishes him from the puer, and notes elsewhere that such personifications join youth and age in a single timeless form. James Hillman presses hardest: the wise old man as cultural ideal is a senex fantasy in which antidote and poison are inseparable. Karen Signell’s Wise Old Woman, helping women say no and face limitation, confirms the archetype’s proper work: visiting counsel, never a permanent seat.
one cannot possibly live as the wise old man day and night; one would be something between a corpse and a fool… that is the external appearance of a fellow who has been swallowed by the wise old man.
Jung argues that identification with the Wise Old Man archetype produces psychic inflation and dissolution of ordinary humanity, making sustained possession by the archetype pathological rather than ennobling.
, Nietzsche’s Zarathustra: Notes of the Seminar Given in 1934-1939, 1988thesis
in fairy tales, it appears as the old wise man or as the little old dwarf who always comes in helpful moments… he generally comes, as Jung points out in his essay, when the hero badly needs intelligence and doesn’t have it.
Von Franz, summarizing Jung’s essay on the spirit archetype, identifies the fairy-tale Wise Old Man as the unconscious’s compensatory intervention when conscious resources have reached their limit.
, Archetypal Patterns in Fairy Tales, 1997thesis
typical wise old man, that he would be unconscious of the nature of the anima—that is excluded since he is always associated with the anima… Brinnhilde… is chosen by her father, the wise old man.
Jung defines the Wise Old Man’s essential structural relationship to the anima, distinguishing the archetype from the Puer hero precisely by its constitutive association with and awareness of the feminine principle.
, Nietzsche’s Zarathustra: Notes of the Seminar Given in 1934-1939, 1988thesis
the old wise man is no solution, for the antidote and poison are inseparable. So withdrawal from the scene to go about the Father’s spiritual business—solitude, reflection, wisdom—may only produce more blackening of the brain, more of the dragon.
Hillman, citing Jung’s own caveat, critiques the cultural idealization of the Wise Old Man as a senex fantasy that perpetuates the very stagnation it promises to resolve.
, Senex & Puer, 2015thesis
The Self, however, does not always take the form of a wise old man or wise old woman. These paradoxical personifications are attempts to express something that is not entirely contained in time—something simultaneously young and old.
Jung clarifies that the Wise Old Man is only one among several Self-personifications, all of which paradoxically transcend temporal categories by combining youth and age.
, Man and His Symbols, 1964supporting
William Blake’s image of God the Father as a wise old man with a beard, a typical personification of the Self, archetype of wholeness and the centre of the personality.
Von Franz identifies the bearded divine father figure in visual tradition as a standard iconographic form of the Wise Old Man understood as Self-symbol and archetype of wholeness.
, Alchemy: An Introduction to the Symbolism and the Psychology, 1980supporting
Statue of wise old man (Hermes Trismegistus) holding tablet, from Senior’s De chemia.
Von Franz locates the Wise Old Man archetype explicitly in alchemical iconography through the figure of Hermes Trismegistus, linking the Jungian concept to Hermetic tradition.
, Alchemy: An Introduction to the Symbolism and the Psychology, 1980supporting
Like the stern mother with authority, the Wise Old Woman can also help someone say ‘no’ when necessary… One of the Wise Old Woman’s roles, especially as the Crone, is to help a woman come to terms with limitations and the unknown.
Signell extends the Wise Old Man schema to its feminine counterpart, describing the Wise Old Woman’s clinical function in women’s dreams as one of authoritative limit-setting and unflinching witness to truth.
, Wisdom of the Heart: Working with Womens Dreams, 1991supporting
Wise Old Man, 257, 258, 284-285, 286… Wise Old Woman, 67, 144-145, 151, 247-248
Signell’s concordance entries document the clinical prevalence and distinct page-distribution of both Wise Old Man and Wise Old Woman in her work on women’s dreams, indicating their differentiated therapeutic functions.
, Wisdom of the Heart: Working with Womens Dreams, 1991supporting
Parzival not only learns decisive things about himself from this hermit, but also the ‘magic formula.’ The holy man whispers a prayer into his ear, which Parzival is only permitted to speak out loud in the moment of greatest danger.
Banzhaf interprets the Grail legend’s hermit Trevrezent as a narrative embodiment of the Wise Old Man archetype whose initiatory knowledge is transmitted at the moment of the hero’s deepest need.
, Tarot and the Journey of the Hero, 2000supporting
The negative senex is the senex split from its own puer aspect. He has lost his ‘child.’ The archetypal core of… ego-consciousness split from archetypal reality, the gods.
Hillman’s analysis of the negative senex illuminates the shadow aspect of the Wise Old Man figure, arguing that its pathology arises when the archetype loses its intrinsic polarity with the puer.
, Senex & Puer, 2015supporting
Chasing the Wise Old Woman… Wise Old Man… Wise Old Woman
Signell’s dream-title index situates the Wise Old Man and Wise Old Woman as named dream-figures recurrent enough in clinical material to warrant their own organizational categories within her casebook.
, Wisdom of the Heart: Working with Womens Dreams, 1991aside