Will the multiplicity of these tympanums permit themselves to be analyzed? Will we be led back, at the exit of the labyrinths, toward some topos or commonplace named tympanum?
Derrida poses the central problem of the entry: whether the tympanum's irreducible polysemia — anatomical, architectural, typographic — can be philosophically unified, or whether philosophy is constitutively incapable of reasoning about the membrane that conditions it.
, Margins of Philosophy, 1982thesis