The Transpersonal Feminine designates those dimensions of feminine symbolism, energy, and archetypal reality that exceed the merely personal—the individual woman, the biological mother, the personal anima—and open onto a collective, suprapersonal, or cosmic register. Within the depth-psychology corpus the term carries a distinctive theoretical weight: Erich Neumann furnishes its structural foundation, arguing in both The Origins and History of Consciousness and The Great Mother that the symbolism of ‘masculine’ and ‘feminine’ is ‘archetypal and therefore transpersonal,’ projected erroneously onto persons yet belonging properly to the self-revelation of the psychic structure itself. The Great Mother archetype, with its elementary and transformative characters, is the paradigmatic vehicle for this transpersonal register, culminating in figures of Sophia and the Eternal Feminine that ‘infinitely transcend all earthly incarnations.’ Marion Woodman inherits and radicalizes this framework, locating the Transpersonal Feminine as the living ground of what she calls ‘conscious femininity’—a force that exceeds the mother principle and must be distinguished from patriarchal projections onto women. Esther Harding presses toward the spiritual pole, linking the feminine principle to Eros and a suprapersonal value that redeems the ‘anima woman.’ Richard Tarnas situates the recovery of the archetypal feminine within a world-historical Uranus-Neptune complex, framing it as a civilizational imperative. Stanislav Grof grounds transpersonal feminine encounters empirically in perinatal and psychedelic research. Across these voices a productive tension persists: whether the Transpersonal Feminine is primarily an ontological reality, a psychological structure, or a cultural-political corrective remains genuinely contested.