Tina Keller gives us a privileged insight into the deep, self-directed process that led her to dance her inner experience. There is also much to learn from the attentive, non-intrusive woman analyst who encouraged her to try
Chodorow treats Keller’s account of dancing her body sensations during analysis as paradigmatic testimony for the embodied, self-directed form of active imagination conducted in the analyst’s presence.
, Jung on Active Imagination, 1997thesis