Within the depth-psychology corpus, ‘Sweet’ operates across multiple registers simultaneously: as a sensory-qualitative descriptor tied to pleasure and desire, as a psychological disposition with shadow implications, as a theological-mystical attribute of the divine, and as a neurobiological category linking taste to reward pathways. Anne Carson’s treatment of eros as ‘bittersweet’ (glukupikron) establishes the foundational tension: sweetness is never purely itself but always triangulated against bitterness, lack, and the sting of desire. Clarissa Pinkola Estés mobilizes the term to diagnose a pathological feminine accommodation—the ‘too-sweet self’—whose prolonged enactment destroys instinctual vitality; here sweetness names a persona-rigidity that forecloses shadow integration. The Gnostic and alchemical literature, represented by Meyer and von Franz respectively, elevate sweetness to a divine attribute: the Father is ‘sweet,’ wisdom gives forth a ‘sweet smell of ointments.’ David Brazier introduces the Buddhist therapeutic metaphor of converting bitter psychic roots into sweet ones, while neuroscientific voices (Panksepp, Jeynes) map sweet preference onto reward circuitry shared by addictive substances. Aristotle grounds the discussion in the epistemology of perception, asking how the soul discriminates sweet from white. The term thus spans somatic, psychological, mythological, and soteriological domains, making it a rich index of the corpus’s central concern with how pleasure, transformation, and pathology intersect.