Sunlight in the depth-psychology corpus operates on at least three distinct registers that resist easy synthesis. In its most philosophically charged usage — most fully developed by Thich Nhat Hanh and Nietzsche — sunlight names the quality of awareness itself: the illuminating medium through which the self becomes visible to itself, neither repressing nor identifying with what it sees. Here sunlight is phenomenological rather than physical, the condition of possibility for self-knowledge. A second register, dominant in the alchemical and Tarot-oriented literature (Hillman, Abraham, Jodorowsky, Pollack), treats sunlight as an archetypal force associated with the Sol principle: generative, transformative, and psychologically identified with ego-consciousness, Apollo, and the gold of individuation. Hillman’s critical intervention complicates this by arguing that the undifferentiated magnanimity of solar light — shining equally on all — actually flattens the soul’s particularity, a function better served by the subtler light of the moon-silver. A third register, most visible in Moore’s Ficino studies, grounds sunlight in a tradition of ‘natural magic’: the sun’s rays become the animating spirit of cosmos and psyche simultaneously, generating an entire symbolic ecology of solar correspondences. Across all three registers, the key tension is between sunlight as beneficent, life-giving disclosure and sunlight as an excess that desiccates, flattens, or blinds — a duality Jodorowsky names with particular sharpness.