The Seba library treats Scarab Beetle in 8 passages, across 5 authors (including Jung, Carl Gustav, Woodman, Marion, Clarke, J. J.).
In the library
8 passages
A woman I was treating had, at a critical moment, a dream in which she was given a golden scarab. While she was telling me this dream I sat with my back to the closed window. Suddenly I heard a noise behind me, like a gentle tapping.
Jung's paradigm case: the simultaneous appearance of a scarabaeid beetle at the window and the patient's dream of a golden scarab constitutes the definitive clinical illustration of synchronicity.
Jung, Carl Gustav, The Structure and Dynamics of the Psyche, 1960thesis
Over there a small dark beetle is crawling along, pushing a ball in front of it—a scarab. You dear little animal, are you still toiling away in order to live your beautiful myth
In the Red Book Jung addresses a living scarab directly, recognising in its dung-rolling labour the perpetual enactment of the Egyptian solar myth of self-renewal.
Jung, Carl Gustav, The Red Book: Liber Novus, 2009thesis
The snake, because it casts its skin, is a symbol of renewal, like the scarab beetle, a sun-symbol, which was believed to be of masculine sex only and to beget itself.
Jung places the scarab within a cluster of self-regenerating solar symbols—alongside the serpent—emphasising its mythological identity as a self-begetting, exclusively masculine solar deity.
Jung, Carl Gustav, Symbols of Transformation, 1952thesis
The final external shape of the drawing is reminiscent of a scarab beetle, the Egyptian symbol of the solar god. Both the feminine and the masculine principles… are symbolized in the drawing.
Woodman reads the scarab's formal outline in a patient's drawing as holding the tension of solar-masculine and lunar-feminine principles within a single alchemical vessel of transformation.
Woodman, Marion, Addiction to Perfection: The Still Unravished Bride: A Psychological Study, 1982supporting
Clarke cites the scarab episode as Jung's primary illustrative example when introducing the concept of synchronicity as a meaningful acausal connecting principle.
Clarke, J. J., Jung and Eastern Thought: A Dialogue with the Orient, 1994supporting
The index of Clarke's study cross-references the scarab beetle directly with the discussion of synchronicity and the I Ching, confirming its status as a nodal concept in that literature.
Clarke, J. J., Jung and Eastern Thought: A Dialogue with the Orient, 1994supporting
Hollis includes the scarab beetle as an indexed reference within a broader symbolic vocabulary, indicating its presence as a transformational emblem within his discussion of masculine psychology.
Hollis, James, Under Saturn's Shadow: The Wounding and Healing of Men, 1994aside
if Navajo lore says that insects are at the primordial beginning of things… they would be the small persistent instigators of individuation, its instinctual image, smaller-than-small in appearance, bigger-than-big in effect.
Hillman's phenomenology of insects in dreams positions the scarab's beetle-kin as archetypal instigators of individuation, grounding the solar symbol in a wider cross-cultural pattern of the insect as primordial agent.