The Sacred Mountain emerges in the depth-psychology and comparative religion corpus as one of the most semantically dense of all hierophanic forms — a condensed symbol in which cosmological, psychological, and ritual registers converge. Eliade’s formulations remain foundational: the Sacred Mountain is axis mundi, the point where heaven, earth, and the underworld intersect, and every consecrated structure — temple, palace, royal residence — replicates it as a center of the world. This architectonic logic, documented across Mesopotamia, India, Iran, Palestine, and the Islamic world, establishes the mountain not as one sacred place among others but as the archetypal prototype of all sacred space. Von Franz extends the motif into cosmogony: in the Chinese P’an Ku myth, the sacred mountains of China are literally the dismembered body of the primordial man, collapsing cosmological geography into theogony and anthropology at once. The Daoist material, as systematized by Kohn, demonstrates how the abstract Eliadian schema is institutionalized into ranked hierarchies of actual peaks, grotto-heavens, and pilgrimage networks. John of Damascus introduces a theological transposition: the Virgin as ‘living holy mountain of God,’ sublimating topographic into Christological symbolism. Campbell, characteristically, democratizes the image through Black Elk — ‘anywhere is the center of the world’ — relocating the Sacred Mountain’s authority from geography to interiority. The central tension across the corpus is thus between sacred mountain as cosmological fact and as psychological metaphor.