Rooster

The Seba library treats Rooster in 8 passages, across 5 authors (including Hoeller, Stephan A., Campbell, Joseph, Epstein, Mark).

In the library

The usually oval stones all show a figure with a human body, the head of a rooster (or more seldom of a hawk), and legs fashioned like serpents.

Hoeller documents the iconographic form of the Gnostic deity Abraxas — rooster-headed, serpent-legged — as preserved on talismanic amulets, establishing the rooster as a primary emblem of divine totality in Gnostic-Jungian symbolism.

Hoeller, Stephan A., The Gnostic Jung and the Seven Sermons to the Dead, 1982thesis

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In the land of the giants, Jotunheim, a fair, red rooster shall crow; in Valhalla the rooster Golden Comb; a rust-red bird in Hell.

Campbell presents the Norse eschatological triplication of the crowing rooster — across the worlds of giants, gods, and the dead — as a mythological signal of cosmic catastrophe and the dissolution of world order at Ragnarök.

Campbell, Joseph, The Hero With a Thousand Faces, 2015thesis

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the neurotic aspects of mind—as personified by the pig, the snake, and the rooster of ignorance, hatred, and greed—are not essential to the mental continuum.

Epstein identifies the Buddhist Wheel of Life rooster as the personification of greed, arguing that Buddhist psychology — unlike psychoanalysis — holds these instinctual poisons to be eliminable rather than intrinsic to mind.

Epstein, Mark, Thoughts Without a Thinker: Psychotherapy from a Buddhist Perspective, 1995thesis

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circling endlessly like the pig, the snake, and the rooster at the center of the Wheel of Life.

Epstein uses the Wheel of Life imagery — with the rooster as one of three central poisons — to diagnose a patient's repetition compulsion as driven by unresolved craving, bridging Buddhist and psychoanalytic frameworks.

Epstein, Mark, Thoughts Without a Thinker: Psychotherapy from a Buddhist Perspective, 1995supporting

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I see in front of me a white rooster with a host of hens walking in the same direction. The rooster asks me if I would take him and his hens into Switzerland with me.

Von Franz presents a clinical dream in which a white rooster functions as a liminal companion-figure seeking passage to a threshold territory, which she reads as an autonomous psychic complex seeking integration during a process of individuation.

von Franz, Marie-Louise, Psychotherapy, 1993supporting

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'Shark or rooster, it is very much the same thing. God is terror and darkness just as much as he is love and light.'

Hoeller records a theological exchange in which the rooster becomes a metonym for the terrifying, non-moral dimension of the divine — the Jungian shadow of God — pointing to Abraxas as the archetype that holds both luminosity and darkness.

Hoeller, Stephan A., The Gnostic Jung and the Seven Sermons to the Dead, 1982supporting

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One of these exceeded all others in savagery, and my mother commissioned the cook to dispatch the malefactor for the Sunday roast.

Jung recounts a childhood episode involving a bantam cock's execution that occasions a folk-theological dialogue about animal souls and redemption, revealing the rooster as a vehicle for exploring animistic layers of the collective unconscious.

Jung, Carl Gustav, Psychology and Alchemy, 1944supporting

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he saw a lion, a whippet, a cat, an eagle, an ant, a cock, a sparrow, and a fly (eight animals), who were all quarreling over the dead body of an elk.

Von Franz includes the cock among eight instinctual animal figures in a fairy-tale amplification, where the animal assembly represents a collective of autonomous psychic energies competing for authority over a liminal rite of passage.

von Franz, Marie-Louise, Shadow and Evil in Fairy Tales, 1974aside

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