The Seba library treats Red Book in 8 passages, across 3 authors (including Jung, Carl Gustav, Beebe, John, Tozzi, Chiara).
In the library
8 passages
He first recorded these fantasies in his Black Books. He then revised these texts, added reflections on them, and copied them in a calligraphic script into a book entitled Liber Novus bound in red leather, accompanied by his own paintings. It has always been known as the Red Book.
This passage establishes the Red Book's material origins within Jung's 'confrontation with the unconscious' and its compositional relationship to the Black Books and to the method of active imagination.
Jung, Carl Gustav, The Red Book: Liber Novus, 2009thesis
a historian of psychology would be able to present it to the modern reader as a historical document. With the help of primary sources he could embed it in the cultural context of its genesis, situate it within the history of science, and relate it to Jung's life and works.
This passage explains the scholarly rationale that ultimately justified publication of the Red Book, framing it as a document requiring historicization rather than simply clinical or devotional reception.
Jung, Carl Gustav, The Red Book: Liber Novus, 2009thesis
you had thought of making an autobiography out of it... you dreaded making it public because it was like selling your house. But I jumped upon you with both feet there and said it wasn't a bit like that because you and the book stood for a constellation of the Universe
This passage documents Jung's own ambivalence about the Red Book's form and public disclosure, revealing his sense of its intimate and cosmological dimensions alongside his difficulty finding an adequate genre.
Jung, Carl Gustav, The Red Book: Liber Novus, 2009thesis
you had made up your mind to turn over to me all of your unconscious material represented by the Red Book etc.... When you approached them you became enmeshed as it were and could no longer be sure of anything.
This passage illustrates the psychological entanglement Jung experienced in relation to the Red Book material, underscoring why the work remained unpublished and required an outside perspective for evaluation.
Jung, Carl Gustav, The Red Book: Liber Novus, 2009supporting
We encounter this aspect of Jung's midlife personality in the very first chapter of Liber Secundus in The Red Book... Jung has entrusted himself to the spirit of the depths and, not knowing what to do next, must wait.
Beebe reads the Red Book's Liber Secundus as a clinical illustration of puer aeternus psychology and the arrival of the trickster figure as shadow, demonstrating the text's utility for typological and archetypal analysis.
Beebe, John, Energies and Patterns in Psychological Type: The Reservoir of Consciousness, 2017supporting
Since the publication of the original edition of this work, which included a facsimile reproduction of the calligraphic pages on a one to one scale, there has been a clamor for a more portable reader's edition as a complement to facilitate close study of the work.
This passage describes the editorial history of the Red Book's publications, noting the shift from facsimile to reader's edition as a function of the scholarly demand for closer textual engagement.
Jung, Carl Gustav, The Red Book: Liber Novus, 2009supporting
From The Red Book to Active Imagination in Movement
This chapter-title citation positions the Red Book as the originating reference point for a genealogy of active imagination that extends through movement-based clinical practice.
Tozzi, Chiara, Active Imagination in Theory, Practice and Training, 2017aside
Confidentiality agreements precluded discussing my work on this project with my friends and colleagues: I thank them for their forbearance over the last thirteen years.
Shamdasani's acknowledgment records the prolonged institutional and archival constraints under which the Red Book edition was produced, reflecting the sensitivity surrounding the document's release.
Jung, Carl Gustav, The Red Book: Liber Novus, 2009aside