Phantasia Kataleptike — the Stoic ‘cognitive impression’ or ‘grasping appearance’ — occupies a pivotal position in ancient epistemology and, by extension, in any depth-psychological engagement with the question of how reality impresses itself upon the perceiving subject. Within the Hellenistic corpus represented in this library, the term appears chiefly as a battleground: Long and Sedley document the Stoic insistence, originating with Zeno, that infallible knowledge of the world is achievable precisely through impressions that carry their own guarantee of veridicality, while Sextus Empiricus and the Academic tradition contest whether any such self-certifying impression can be isolated from the mass of indistinguishable non-cognitive ones. Inwood’s treatment of early Stoic ethics reveals how phantasia functions as the epistemological hinge between external stimulus and rational assent, thus making it foundational to Stoic moral psychology. The Aristotelian literature, especially Lorenz’s systematic analysis of phantasia in De Anima, provides the conceptual prehistory: for Aristotle, phantasia is neither perception nor judgment but an intermediate representation that mediates between sensory input and desire, preparing the cognitive-motivational conditions that the Stoics will later formalize in their kataleptic doctrine. The tension between infallible cognitive seizure and the fallibility of ordinary impression-formation remains the defining problematic of this term across the corpus, with significant implications for theories of assent, action, and ethical self-governance.