Peach

The Seba library treats Peach in 5 passages, across 4 authors (including Dōgen, Eihei, Keltner, Dacher, Alcoholics Anonymous World Services, Inc).

In the library

Realizing the Way upon Seeing Peach Blossoms… Blown by the spring wind peach trees in full blossom without any doubts extending branches and leaves

Dōgen presents the peach blossom as the sensory occasion of Lingyun's enlightenment, the tree's unconditional flowering serving as a Dharma-teaching that bypasses conceptual mediation.

Dōgen, Eihei, Shōbōgenzō Zuimonki, 1234thesis

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Realizing the Way upon Seeing Peach Blossoms, 301–2

The index entry confirms that 'Realizing the Way upon Seeing Peach Blossoms' is a formally titled poem within Dōgen's collected works, establishing the peach blossom as a canonical Zen vehicle for awakening.

Dōgen, Eihei, Shōbōgenzō Zuimonki, 1234supporting

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The scents in the garden—of basil, rosemary, camellia, peach, pine—send neurochemical signals from your olfactory system through emotion- and memory-related regions of the brain to the frontal lobes… where our tendencies toward ethical actions are moved by our emotions.

Keltner positions the peach among garden scents whose olfactory signals traverse the brain's emotion-memory architecture to reach ethical consciousness, grounding the spiritual-sensory link in affective neuroscience.

Keltner, Dacher, Awe The New Science of Everyday Wonder and How It Can, 2023supporting

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In my third year I drank homemade peach wine, and when it was gone, I had some whiskey. That night, I vomited, in a blackout.

The peach here marks a threshold moment in the narrator's addictive trajectory, its domestic sweetness serving as a transitional object before the descent into dissociative blackout.

Alcoholics Anonymous World Services, Inc, Alcoholics Anonymous, Fourth Edition The Official 'Big, 2001aside

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or to take note how many silk stockings thou hast; viz., these, and those that were thy peach-coloured ones?

Shakespeare's use of 'peach-coloured' as a descriptor for silk stockings is cited by Auerbach in a discussion of Prince Henry's ambivalent social self-awareness, the colour functioning as an index of courtly sensory particularity.

Auerbach, Erich, Mimesis: The Representation of Reality in Western Literature, 1953aside

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