Patristic theology, as it figures across the depth-psychology and Orthodox intellectual corpus, is not primarily a historical discipline but a living hermeneutical programme — a claim that the writings of the Church Fathers constitute not merely antiquarian testimony but an inexhaustible source of spiritual and doctrinal renewal. The corpus reveals three distinguishable orientations. First, the neo-patristic synthesis, associated above all with Georges Florovsky and Vladimir Lossky, insists that authentic Orthodox thought must be anchored in the patristic phronema — the mind of the Fathers — understood as the normative horizon of all theological creativity. Second, a liturgical-patristic convergence, represented by Alexander Schmemann and such Greek thinkers as John Zizioulas and Ioannis Foundoulis, reads the Fathers through the lens of liturgical practice, treating the Divine Liturgy as patristics enacted. Third, a sophiological trajectory, associated with Bulgakov, Florensky, and Evdokimov, presses beyond what strict patristic synthesis permits, drawing on Jungian psychology and the figure of Sophia in ways that the neo-patristic programme explicitly rejects. The tension between retrieval and creative appropriation — between fidelity to the Fathers and their transformation into contemporary vision — constitutes the animating dialectic of the entire field. John of Damascus stands as the paradigmatic systematiser through whom patristic consensus is crystallised, while Zizioulas and Romanides represent the twentieth century’s most contested attempts at genuinely Greek patristic renewal.