Nostalgia

The Seba library treats Nostalgia in 9 passages, across 5 authors (including Hillman, James, McGilchrist, Iain, Berry, Patricia).

In the library

Nostalgia is archetypal. It touches the longing for Eden, for the ark, for the arcadia land of pastoral nature where the lion and the lamb lie down together.

Hillman argues that nostalgia is not merely a personal emotion but an archetypal longing rooted in primal images of paradise and primordial harmony between humanity and the animal world.

Hillman, James, Animal Presences, 2008thesis

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When we look—or, rather, feel—closely into the sense of loneliness we find it is composed of several elements: nostalgia, sadness, silence, and a yearning imagination for 'something else' not here, not now.

Hillman identifies nostalgia as a structural component of archetypal loneliness—not an incidental mood but an irreducible element of the soul's awareness of absence and transcendent longing.

Hillman, James, The Soul's Code: In Search of Character and Calling, 1996thesis

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These feelings represent the utopian impulse, the soul's urge to return, its homesickness for a realm that cannot be encompassed by logic or pragmatism.

Hillman reframes nostalgic return in old age as the soul's epistrophé—a teleological homing movement toward a primordial realm that conventional understanding cannot locate or contain.

Hillman, James, The Force of Character: And the Lasting Life, 1999thesis

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These feelings express the myth of Eternal Return. The great writers on myth say there is a nonplace or utopia—Paradise or Heaven or Eden or the Elysian Fields—or, more vaguely, a be

Hillman anchors the nostalgic longing for lost youth and origins within the mythological structure of the Eternal Return, linking personal memory to archetypal cosmology.

Hillman, James, The Force of Character: And the Lasting Life, 1999supporting

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In both the Renaissance and Romanticism, there is a captivation by the past, including the classical past … Even the elegy for lost youth, which seems so quintessentially Romantic, is there in the Renaissance time and again.

McGilchrist situates the nostalgic captivation by the past as a recurring cultural feature tied to right-hemisphere dominance, present from the Renaissance through Romanticism and expressed most acutely in elegies for lost youth.

McGilchrist, Iain, The Master and His Emissary: The Divided Brain and the Making of the Western World, 2009supporting

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Ordinary images may be invested with feeling, e.g., the little brown dog of my childhood or the scarf my mother gave me for Christmas. Here one needs discrimination among feelings—sentiment, kitsch, longing, nostalgia, expectation.

Berry insists on careful phenomenological discrimination among affect-laden dream images, placing nostalgia within a spectrum of feeling-tones that must be read through rather than conflated with the images that carry them.

Berry, Patricia, Echo's Subtle Body: Contributions to an Archetypal Psychology, 1982supporting

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To reintegrate the sacred time of origin is equivalent to becoming contemporary with the gods, hence to living in their presence even if their presence is mysterious.

Eliade's account of sacred time provides the religious-phenomenological background against which depth psychology's nostalgia is legible: the longing to reintegrate origins is humanity's most fundamental existential impulse.

Eliade, Mircea, The Sacred and the Profane: The Nature of Religion, 1957supporting

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the nostalgia which emanates from / The trees / The flowers / The light / The sunset / Will bring memories to you from other times / Reminiscences of your childhood.

In a personal vignette, nostalgia is invoked as the affective power of sensory objects to retrieve childhood memories, framing it as a bridge between present perception and biographical past.

Kandel, Eric R., In search of memory the emergence of a new science of mind, 2006aside

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the blue rose of romance, a pothos that pines for the impossible contra naturam (and pothos, the flower, was a blue larkspur or delphinium placed on graves)

Hillman's discussion of pothos—longing for the unattainable—operates as an adjacent conceptual figure to nostalgia, linking the alchemical imagination's yearning quality to a desire that exceeds natural possibility.

Hillman, James, Alchemical Psychology, 2010aside

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