“would this tortoise rather be dead and have its bones left behind and honored? Or would it rather be alive and dragging its tail in the mud?” … “Go away! I’ll drag my tail in the mud!”
Zhuangzi deploys mud as the supreme symbol of living, unencumbered freedom, contrasting the vital indignity of the mud-dragging tortoise with the honored but lifeless bones preserved in a box—a direct argument for instinctual existence over institutional prestige.
, The Complete Works of Zhuangzi, 2013thesis