Bruno confesses himself a child of Minerva (‘Her have I loved and sought from my youth, and desired for my spouse, and have become a lover of her form’). The relation between Minerva and images of the mind may help us to understand … the fact that it was to Athene that sacrifice was made by burnishers at Olympia before polishing the image.
Hillman uses Bruno’s Neoplatonic self-identification as Minerva’s devotee to argue that the goddess governs the relationship between mind and its own images, extending her domain beyond craft into the psychology of imagination itself.
, Mythic Figures, 2007thesis