Midnight occupies a distinctive and richly layered position within the depth-psychological corpus, functioning simultaneously as a temporal coordinate, a symbolic threshold, and a state of interior consciousness. Across the literature, the term clusters around three overlapping registers. First, in Nietzsche’s Zarathustra, midnight is the hour of the Intoxicated Song — a liminal moment when the voice of the deep speaks to ‘delicate ears,’ pressing the question of mastery, redemption of the dead, and the unfathomable weight of existence. Second, in the Taoist alchemical tradition as transmitted by Liu I-ming and Thomas Cleary, ‘living midnight’ denotes a psycho-spiritual state: the precise threshold between the silencing of acquired mentality and the dawn of the original mind, requiring a teacher’s oral transmission to be properly understood. Third, in Corbinian phenomenology of the Iranian Sufi tradition, the ‘midnight sun’ figures the Deus absconditus and the Angel-Logos — a paradoxical symbol of inner illumination at the nadir of the outer world. Neumann anchors midnight cosmologically to the winter solstice and the twelfth hour of night as the moment of judgment, death, and rebirth. Banzhaf’s reading of the Ra myth situates the midnight hour as the point of maximum danger and maximum transformation, where conventional moral categories invert. The term thus marks, across traditions, the coincidence of greatest darkness with the possibility of radical renewal.