Malin Genie

malin gnie

The Seba library treats Malin Genie in 4 passages, across 2 authors (including von Franz, Marie-Louise, Clarissa Pinkola Estés, Ph D).

In the library

The unconscious inhibition that hindered Descartes from investigating this complex of problems more deeply must, in the final analysis, have been his adherence to the Christian définition of evil as a mere privatio boni

Von Franz argues that Descartes's theological inheritance — evil as privation rather than positive force — constitutes the unconscious inhibition blocking genuine engagement with the shadow, the deeper psychic reality the Malin Génie symptomatically gestures toward.

von Franz, Marie-Louise, Dreams: A Study of the Dreams of Jung, Descartes, Socrates, and Other Historical Figures, 1998thesis

Dig deeper with Sebastian →

J. O. Wisdom interprets this motif as Descartes's unconscious fear of impotence (castration complex), though, unless one is inclined to believe in the Freudian theory of the 'censor,' it is baffling to know why Descartes should suffer from such a fear

Von Franz contrasts the Freudian and Jungian readings of Descartes's dream symbolism, rejecting the castration-complex interpretation and instead pointing toward an atrophying of the feeling life as the deeper psychological disturbance underlying Cartesian rationalism.

von Franz, Marie-Louise, Dreams: A Study of the Dreams of Jung, Descartes, Socrates, and Other Historical Figures, 1998supporting

Dig deeper with Sebastian →

The Devil, you might say, practically insures that we will feel an urgency to get up and hie on to the next one.

Estés employs a folk-psychological figure of the devil as an inadvertent initiatory force, functionally analogous to the Malin Génie as a disruptive agency that paradoxically propels psychic development.

Clarissa Pinkola Estés, Ph D, Women Who Run With the Wolves Myths and Stories of the Wild, 2017aside

Dig deeper with Sebastian →

the devil changes a celebratory message to a malicious one

The motif of the devil as saboteur of communication in 'The Handless Maiden' parallels the Malin Génie's function as a deceiving agency that inverts or corrupts intended meanings.

Clarissa Pinkola Estés, Ph D, Women Who Run With the Wolves Myths and Stories of the Wild, 2017aside

Dig deeper with Sebastian →