Within the depth-psychology corpus, the Loom functions as a richly overdetermined symbol operating simultaneously on mythological, cosmological, and clinical registers. Its most sustained treatment appears in Onians’s Origins of European Thought, where the loom materialises as the primary instrument through which fate-goddesses—the Greek Moirai, Norse Norns, and related weaving powers—produce the binding thread of destiny. Here the loom is not decorative but ontological: its warp-threads represent the span of a human life, and the act of weaving is coextensive with the act of determining. Penelope’s great loom in Homer’s Odyssey, documented in Lattimore’s translation, transforms the instrument into a stratagem of psychological endurance and feminine cunning, weaving and unweaving as a form of temporal resistance. A singular and disturbing clinical valence appears in McGilchrist’s account of James Tilly Matthews’s paranoid delusion: the ‘Air Loom,’ a machine believed to emit rays controlling minds and bodies, projects the archaic symbol of fate-weaving onto the paranoid imagination with remarkable fidelity. Finally, in Orthodox theological reflection cited by Louth, knowledge itself is figured as a fabric woven by the virtues upon ‘the loom of the human soul.’ Across these registers, the loom organises tensions between agency and compulsion, temporality and fate, craft and cosmic order.