Lighthouse

The Seba library treats Lighthouse in 9 passages, across 6 authors (including Auerbach, Erich, M.H. Abrams, Jodorowsky, Alejandro).

In the library

the meaning of the relationship between the planned trip to the lighthouse and the actual trip many years later remains unexpressed, enigmatic, only dimly to be conjectured

Auerbach identifies the lighthouse journey in Woolf as the novel's central figure for deferred and ultimately inarticulable meaning, paradigmatic of modern narrative's refusal of resolution.

Auerbach, Erich, Mimesis: The Representation of Reality in Western Literature, 1953thesis

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The three objects he had last sighted at his departure—the kirk, the hill, and the lighthouse—now reappear, but with their order reversed. Oh! dream of joy! is this indeed / The light-house top I see?

Abrams reads the lighthouse in Coleridge's Mariner as the eschatological sign of spiritual homecoming, the final object confirming the completion of a circumnavigation of guilt and redemption.

M.H. Abrams, Natural Supernaturalism: Tradition and Revolution in Romantic Literature, 1971thesis

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this light can be active, like an appeal for awakening the consciousness of the Other, or receptive, like the beacon of a lighthouse.

Jodorowsky employs the lighthouse beacon as the archetypal figure of receptive, passive illumination opposed to active proclamation, clarifying the Hermit's symbolic ambivalence in the Tarot.

Jodorowsky, Alejandro, The Way of Tarot: The Spiritual Teacher in the Cards, 2004thesis

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We went on a journey to 'El Faro,' the lighthouse, a fitting direction for us: my mom taught Virginia Woolf's transformative To the Lighthouse in her classroom.

Keltner frames the lighthouse as a destination symbolically charged by Woolfian literary awe, situating a personal psychedelic journey within an intertextual field of transformation and epiphany.

Keltner, Dacher, Awe The New Science of Everyday Wonder and How It Can, 2023supporting

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Literary studies speak of epiphanies, such as those in Virginia Woolf's To the Lighthouse, or that of Stephen Dedalus in James Joyce's A Portrait of the Artist as a Young Man, in which status quo meanings of society are stripped away and essential truths about our social lives are illuminated.

Keltner positions To the Lighthouse as canonical evidence for the 'noetic' dimension of awe—the lighthouse serving as the narrative vehicle through which essential, transformative truths are disclosed.

Keltner, Dacher, Awe The New Science of Everyday Wonder and How It Can, 2023supporting

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Early in an MI session the skill is often to discern a ray of change talk within the sustain talk, like spotting a lighthouse in a storm or detecting a signal within noise.

Miller mobilizes the lighthouse as a clinical metaphor for the therapist's orienting function: identifying the faint signal of therapeutic movement against the overwhelming noise of resistance.

Miller, William R., Motivational Interviewing: Helping People Change, Third Edition, 2013supporting

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we may yet go to the lighthouse, and so I must make sure the stocking is long enough. At this point there flashes into her mind the idea which has been prepared by her reflection on Lily's Chinese eyes

Auerbach demonstrates how the lighthouse trip functions as a punctuating refrain within Mrs. Ramsay's stream of consciousness, linking mundane domestic acts to the novel's larger horizon of anticipated but perpetually deferred fulfillment.

Auerbach, Erich, Mimesis: The Representation of Reality in Western Literature, 1953supporting

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though elsewhere in To the Lighthouse such things are mentioned, it is hastily, without preparation or context, incidentally, and as it were only for the sake of information.

Auerbach argues that the lighthouse and its journey are structurally marginal to the surface of Woolf's narrative yet function as the organizing telos around which all minor events and inner movements are arranged.

Auerbach, Erich, Mimesis: The Representation of Reality in Western Literature, 1953supporting

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Moths can be so numerous that they can blind a coastal lighthouse with their dusky thick myriad fluttering.

Hillman invokes the lighthouse as an aside within his meditation on insect multiplicity, using it to dramatize the threat that collective, undifferentiated natural forces pose to individualized consciousness symbolized by the singular beacon.

Hillman, James, Animal Presences, 2008aside

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