The Seba library treats Leopard in 9 passages, across 8 authors (including Otto, Walter F, Victor Turner, Victor Witter Turner, Burkert, Walter).
In the library
9 passages
the panther, as is well known, appears in descriptions of a later period as the favorite animal of Dionysus and is found with him in countless works of art. As Philostratus tells us, the panther leaps as gracefully and lightly as a Bacchant
Otto establishes the panther-leopard as Dionysus's pre-eminent animal companion, its simultaneous grace and savagery mirroring the god's own duality of erotic enchantment and murderous frenzy.
Otto, Walter F, Dionysus Myth and Cult (1965), 1965thesis
Among the Nuer of the Sudan, the role of 'leopard-skin priest' interestingly links the symbolic value of the mother's brother in patrilineal society with some of the other attributes of liminal, marginal, and politically weak figures
Turner reads the leopard-skin as the insignium of a structurally liminal priestly office that mediates between dominant agnatic lineages and the weaker but mystically potent maternal line.
Victor Turner, Victor Witter Turner, The Ritual Process Structure and Anti-Structure, 1966thesis
More dangerous and perhaps more ancient were the bands of leopard men in Africa, who conspired to assassinate others and practice cannibalism. Leopard men appear on the murals in Catal Hüyük as well
Burkert locates African leopard-men societies within a deep prehistory of ritual killing, connecting their costumes and cannibalism to the Männerbund pattern traceable in Neolithic wall-painting.
Burkert, Walter, Homo Necans: The Anthropology of Ancient Greek Sacrificial Ritual and Myth, 1972thesis
Tiger skin (like those of its mythic kin, the panther, the leopard, and the jaguar) provides the classic seat for the yogin or holy man, as the tiger (or panther) draws the chariot of Dionysus, the lord of mysteries
Hillman situates the leopard within a family of spotted feline skins that mark the threshold of sacred or mysterial space, shared across yogic and Dionysiac traditions.
With a touch of humour we can picture to ourselves what a leopard-woman is like, just as we do when we call a person a goose, a cow, a hen, a snake, an ox, or an ass.
Jung uses 'leopard-woman' as an instance of projection and participation mystique, where unconscious animal-qualities are attributed to another person through the unreflective logic of primitive epithet.
Jung, Carl Gustav, Civilization in Transition, 1964thesis
in western Morocco, when such a panther is killed, the hunter must immediately creep up on the dead beast from behind, with closed eyes, and try to blindfold the dead panther as quickly as possible, so that it may no longer see — to avert the danger of the evil eye
Campbell documents apotropaic ritual behaviour toward the slain panther-leopard, illustrating the animal's charged status as a being whose gaze retains dangerous power even in death.
Campbell, Joseph, Primitive Mythology (The Masks of God, Volume I), 1959supporting
Vervet monkeys in East Africa give different alarm cries depending on whether an observed predator is a leopard, eagle, or snake. The monkeys respond to a leopard alarm by climbing trees
This passage, cited in a depth-adjacent psychological context, presents the leopard as an archetypal predator whose distinctive threat elicits species-specific, hardwired defensive responses.
James, William, The Principles of Psychology, 1890supporting
παρδαλίς, -ίδος, -έως [f.] 'panther, leopard' (Il.); also name of a fish of prey (Ael., Opp.), of a bird, perhaps 'red-backed shrike' (Arist.)
Beekes traces the Greek lexical history of the panther-leopard term, noting its Pre-Greek loan-word character and its secondary extension to other predatory creatures, grounding the mythological figure in linguistic pre-history.
Beekes, Robert, Etymological Dictionary of Greek, 2010supporting
Jung's index enumerates the leopard among the full symbolic bestiary of the collective unconscious, confirming its canonical status as an archetypal animal image without further elaboration at this locus.
Jung, Carl Gustav, The Archetypes and the Collective Unconscious, 1959aside