The Seba library treats Leda in 7 passages, across 7 authors (including Jung, C.G., Homer, Kerényi, Karl).
In the library
7 passages
The Dioscuri were Castor and Polydeuces (or Pollux), the twin sons of Leda and Zeus and the brothers of Helen of Troy. Because Zeus came to Leda in the form of a swan, they are sometimes presented as having been born from an egg.
Jung's seminar notes identify Leda as the mortal mother of the Dioscuri, explicitly connecting her myth to the swan-transformation of Zeus and the resulting egg-birth motif central to the numinous intrusion of divinity into human life.
Jung, C.G., Dream Interpretation Ancient and Modern: Notes from the Seminar Given in 1936-1941, 2014thesis
Castor and Polydeuces (also known as Pollux) were, like Helen, the children of Leda. Helen and Polydeuces were the children of Zeus, who raped Leda in the form of a swan.
The Iliad commentary treats Leda as the genealogical nexus of the heroic generation, establishing through the swan-rape the mixed divine-mortal parentage that structures the entire Trojan War narrative.
Kerényi's index entry indicates Leda's recurring presence throughout his mythological survey as one of Zeus's notable mortal consorts, linked to multiple narrative threads including the Dioscuri and the lineage leading to Helen.
Kerényi, Karl, The Gods of the Greeks, 1951supporting
Hesiod's index entry confirms Leda's canonical identity as mother of the Dioscuri, placing her within the genealogical framework of the Catalogues of Women.
Hesiod, Hesiod, the Homeric Hymns, and Homerica, -700supporting
Cicero's index reference locates Leda within his philosophical discussion of the gods, implicitly treating her myth as one of the traditional genealogies subject to rational and theological scrutiny.
Cicero, Marcus Tullius, De Natura Deorum (On the Nature of the Gods), -45supporting
son of Zeus and Leda, twin brother of Castor, T 237, X 300
The Homeric Dictionary entry for Polydeuces identifies Leda as one of the two parents—Zeus and herself—who produce the divine-mortal twin, anchoring her role in Homeric epic tradition.
Of her work for that day, Leda tells me: 'When I honor Dolores Huerta, I am honoring my Salvadoran mother and my Indigenous ancestors.'
Keltner uses 'Leda' as the given name of a contemporary artist, Leda Ramos, entirely unrelated to the mythological figure, making this appearance terminologically coincidental.
Keltner, Dacher, Awe The New Science of Everyday Wonder and How It Can, 2023aside