The judgment theory of emotion — the position that emotions are constituted by, or are identical with, evaluative judgments or cognitive appraisals — receives its most sustained treatment in the depth-psychology corpus through engagements with Stoic philosophy, particularly the Chrysippan thesis that passions (pathē) just are assents to evaluative impressions. Sorabji, Graver, Nussbaum, and Konstan collectively map both the power and the vulnerabilities of this view. Sorabji probes the theory’s edges by testing whether desire, rather than judgment, might be the more fundamental constituent of emotion, ultimately declining that route. Graver pursues the logical structure of the Stoic claim — that judgment is a sufficient but not necessary condition for the corresponding feeling — and tracks Posidonian objections that resemble modern cognitivist critiques. Nussbaum finds in Seneca’s dramatic art a literary demonstration that grief, love, and rage are inclinations of judgment itself, not antagonists of reason. Konstan situates the theory within Aristotle’s prior insistence that emotions alter judgment — an influence-direction that most post-Aristotelian cognitivists have neglected. Across these voices, a key tension persists: whether judgment is definitively constitutive of emotion, or whether imagination, attention, and non-rational powers play irreducibly independent causal roles. The stakes are therapeutic as much as theoretical, since Chrysippan therapy depends on the cogency of the identity thesis.