Ixion

ixions wheel

The Seba library treats Ixion in 8 passages, across 7 authors (including Edinger, Edward F., Onians, R B, Kerényi, Karl).

In the library

Ixion, representing the inflated ego, attempts to appropriate to itself that which belongs to the suprapersonal powers... His punishment, being bound to a fiery wheel, represents quite an interesting idea. The wheel is basically a mandala.

Edinger reads Ixion as the archetypal figure of ego inflation, whose binding to the wheel enacts the conversion of the Self-symbol from an image of wholeness into an instrument of torment when ego-Self identification persists too long.

Edinger, Edward F., Ego and Archetype: Individuation and the Religious Function of the Psyche, 1972thesis

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The idea of a man's fate as a circle within which he is bound will help to explain the 'wheel' of Ixion and the sympathetic magic by which a bird was bound in a 'circle' (wheel).

Onians grounds Ixion's wheel in archaic concepts of fate as circular constraint, linking the mythic punishment to sympathetic magic and the Pindaric tradition of binding love and doom.

Onians, R B, The origins of European thought about the body, the mind,, 1988thesis

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HERA, IXION AND THE CENTAURS... The form of marriage that she protected as our marriage-goddess was monogamy, or—as seen from the woman's point of view—the fulfilment of herself through a single husband.

Kerényi situates the Ixion myth within the context of Hera's sovereignty over marriage, framing Ixion's transgression as a violation of the sacred marital order she embodies.

Kerényi, Karl, The Gods of the Greeks, 1951supporting

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The Self may become a negative, torturing factor if its intentions are misunderstood; then the riddles go unanswered. In Babylonian times, the horoscope or astrological wheel of birth marked the appearance of the fatal wheel whereby man is caught in the wheel of his own destiny.

Von Franz extends the wheel motif — implicitly encompassing Ixion's punishment — into a cross-cultural archetype of fatal cyclical compulsion, contrasting the wheel as Self-symbol with the wheel as instrument of destiny's inescapable grip.

von Franz, Marie-Louise, The Interpretation of Fairy Tales, 1970supporting

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The mill becomes a symbol of the negative wheel of life, the Indian samsara, the aimless cycle... As the Tibetan wheel of life, the Great Round is held by a female demon of death.

Neumann situates the punitive wheel within the broader archetype of the negative Great Round, contextualizing Ixion-type binding within a universal pattern of destructive cyclical compulsion associated with the devouring feminine.

Neumann, Erich, The Great Mother: An Analysis of the Archetype, 1955supporting

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On a whirling platform, he saw a man with blood dripping down his body; for a wheel was whirling on his head... The moment the Brahmin said this, the wheel left the other's head and settled on his own.

Campbell presents a Buddhist analogue to the Ixion myth — a wheel of torture that transfers between victims — illustrating the cross-cultural resonance of the rotating wheel as an instrument of punitive fate.

Campbell, Joseph, Creative Mythology: The Masks of God, Volume IV, 1968supporting

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The soul revolves with the world wheel, whose hub is the Pole... The wheel of the starry universe is reflected in the horoscope, called the 'thema' of birth.

Jung connects the rotating wheel to the anima mundi and the horoscope, providing the cosmological framework within which Ixion's wheel-punishment resonates as a perversion of the Self's circular totality.

Jung, Carl Gustav, Aion: Researches into the Phenomenology of the Self, 1951aside

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The idea of a revolving wheel, platform, or castle is an essential feature... like the Buddhist 'wheel of being,' this also has six spokes.

Campbell documents the revolving wheel as a structurally essential symbol across Celtic and Buddhist mythologies, providing comparative context for the Ixion wheel as one instantiation of a universal symbol of cyclical existence.

Campbell, Joseph, Creative Mythology: The Masks of God, Volume IV, 1968aside

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