The Seba library treats Io in 4 passages, across 3 authors (including Padel, Ruth, Hesiod, Kerényi, Karl).
In the library
4 passages
When Io is a cow, the oistros chriei, it "rubs" or "anoints" her... Its action may be implicitly pleasurable, or irritating, or maybe both. The verb may express male ambivalence over female experience of sexual desire-desire as torment.
Padel analyzes Io's affliction by the oistros as a mythic encoding of female sexual desire experienced simultaneously as pleasure and torment, revealing Greek male ambivalence toward feminine erotic experience.
Padel, Ruth, In and Out of the Mind Greek Images of the Tragic Self, 1994thesis
Hesiod and daughter of Acusilaus say Peiren. While she that she (Io) was holding was the the
This Hesiodic fragment, citing both Hesiod and Acusilaus, preserves the mythographic record identifying Io as daughter of Piren, anchoring her genealogy in the archaic Greek textual tradition.
Hesiod, Hesiod, the Homeric Hymns, and Homerica, -700supporting
Biting emotion "devours." Conflict is thumos-eating. Heracles' fits of madness are "raw-eating." Hope "wards thumos-eating grief from the phren." Emotion's impact on innards is like that of disease on the body.
Padel's account of madness as a devouring, lacerating force on the inner organs provides the direct conceptual context within which Io's oistros-driven wandering is theorized as a paradigmatic case of violent divine emotion.
Padel, Ruth, In and Out of the Mind Greek Images of the Tragic Self, 1994supporting
222: Ca. Io. 10 ... 224: Ca. Io. 32 ... 228: Ca. Io. 47 ... 233: Ca. Io. 48
Kerényi's dense source apparatus repeatedly cites Callimachus's hymn to Io, indicating that his account of the mythological figure draws systematically on this primary classical source.
Kerényi, Karl, The Gods of the Greeks, 1951supporting