Griffin

The Seba library treats Griffin in 7 passages, across 7 authors (including Abraham, Lyndy, Campbell, Joseph, Beekes, Robert).

In the library

This mythical creature, with the head and wings of an eagle and the body of a lion, is usually paired with the hot, dry, male principle known as sulphur and personified by the red lion.

Abraham establishes the griffin as the cold, wet, mercurial counter-principle to sulphur’s red lion, and their combat as the alchemical enactment of simultaneous dissolution and coagulation in the opus.

Abraham, Lyndy, A Dictionary of Alchemical Imagery, 1998thesis

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A pre-eminent characteristic of the griffin — eagle-headed in his origin on Cretan soil — is his piercing sight, which qualifies him here for his post as Chief Inquisitor.

Campbell reads the Cretan griffin as a celestial tribunal figure whose defining attribute of piercing vision makes it the archetypal guardian of judgment between life and an Elysian afterlife.

Campbell, Joseph, Occidental Mythology: The Masks of God, Volume III, 1964thesis

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Through Lat. gryphus, the word entered the Western Eur. languages (griffin, Greif).

Beekes traces the etymological transmission of the griffin figure from a Pre-Greek substrate through Latin into the Western European vernacular traditions, grounding the symbol’s cross-cultural range.

Beekes, Robert, Etymological Dictionary of Greek, 2010supporting

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Impulse, he says, is a word of general signification which was used a great deal in common speech and also in Plato’s works… Griffin’s recognition that hormê is a synonym for the various forms of desire is correct.

Inwood endorses A. K. Griffin’s lexical analysis of hormê as a general synonym for desire in Aristotle, a scholarly citation with no symbolic bearing on the mythological creature.

Brad Inwood, Ethics and Human Action in Early Stoicism, 1985aside

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if we accept Susan Griffin’s dictum, ‘woman who is nature,’ then the unceasing generation of pornographic images cannot be a male province or even a male perversion.

Hillman invokes Susan Griffin’s ecofeminist equation of woman with nature as a rhetorical premise for his argument about Aphrodite and pornography, with no reference to the heraldic creature.

Hillman, James, Mythic Figures, 2007aside

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