Within the depth-psychology corpus, ‘Genesis’ operates on at least three distinct registers that rarely collapse neatly into one another. The first is the textual-critical register, where scholars such as Joseph Campbell treat the Genesis narratives as composite documents assembled from identifiable sources (the J, E, and P strands), stripping the text of divine authorship and situating its cosmogonic myths within a broader comparative mythology. The second is the hermeneutical-theological register, where Gnostic rereadings of Genesis — amply documented in Marvin Meyer’s compilation — invert the creation narrative: the Demiurge’s fashioning of Adam and Eve becomes an act of cosmic entrapment, and figures such as Enlightened Insight and Sophia displace the Genesis God as authentic sources of life. The third, and most properly depth-psychological, register belongs to Jung, for whom Genesis imagery — the Fall, paradise, Adam and Eve, the serpent — serves as symbolic material for the psychic genesis of the Self, the encounter with the shadow, and the dynamics of individuation. Shaw’s pastoral-evangelical use of Genesis as ethical substrate for addiction counseling represents a fourth, applied reading. Tension among these registers — comparative mythology, Gnostic counter-reading, Jungian symbolics, and practical theology — is what gives the term its productive instability inside this corpus.