Fludd's 'hieroglyphic' figures do try to preserve a unity of the inner experience of the 'observer' (as we should say today) and the external processes of nature, and thus a wholeness in its contemplation — a wholeness formerly contained in the idea of the analogy between microcosm and macrocosm
Pauli argues that Fludd's symbolic-hieroglyphic method, despite sacrificing quantitative precision, preserved an epistemological wholeness — the unity of observer and cosmos — that Kepler's mathematical physics abandoned and that modern quantum physics and depth psychology are now obliged to recover.
, Writings on Physics and Philosophy, 1994thesis