the mother of heavenly chaos, Eurynome, who appeared naked from the original no-thing. She separated the sea and sky, and performed her solitary dance upon the waves.
Hoeller identifies Eurynome as the Pelasgian primordial creatrix — a pre-cosmic feminine principle emerging from nothing — and reads her as one of the clearest prototypes for Jung’s paired archetypal deities in the Seven Sermons to the Dead.
, The Gnostic Jung and the Seven Sermons to the Dead, 1982thesis