Within the depth-psychology corpus, Enoch functions as a pivotal transitional figure in the unfolding drama of the God-image’s self-differentiation toward humanity. Jung’s treatment in Answer to Job and Psychology and Religion: West and East positions the Book of Enoch—composed approximately 100 B.C.—as a crucial document linking Job’s moral confrontation with Yahweh to the eventual Incarnation in Christianity. For Jung, Enoch’s visionary encounter with the Son of Man, who embodies the righteousness conspicuously absent from Yahweh, represents the collective unconscious responding to Job’s awakening: the God-image begins its slow approach to human consciousness. Edward Edinger amplifies this reading systematically, tracing how Enoch’s visions of divine quaternity, the Last Judgment, and the exclusion of Satan constitute stages in the transformation of the God-image. Marie-Louise von Franz contributes a complementary perspective, interpreting the fallen Watchers episode from the Book of Enoch as an archetypal image of the unconscious erupting too precipitously into human awareness, producing inflation and catastrophic expansion of consciousness. Jung further identifies Enoch’s self-recognition as Son of Man as prefiguring Christ’s mediating role. Across these authors, Enoch stands at the threshold between an archaic, morally unreflective deity and a deity capable of incarnation, rendering the figure indispensable to the depth-psychological historiography of Western religious consciousness.