Empedocles occupies a charged and contested position in the depth-psychology corpus, appearing simultaneously as a pre-Socratic philosopher, a shamanistic wonder-worker, and a mythological figure whose personal fate carries symbolic weight across centuries. Dodds establishes the foundational interpretive framework, reading Empedocles not as a synthesizing rationalist but as a revival of the ancient shaman-type who combined scientific cosmology with Orphic religiosity, miraculous powers, and claims to divine identity — a tension the philosopher never resolved. Edinger, drawing on Jungian categories, extends this reading into psychohistory: Empedocles becomes a transitional figure between the mythological and scientific worldviews, whose double strand — Orphic looking-back and rational looking-forward — gripped Hölderlin, Arnold, and Nietzsche as they navigated their own age’s mythic collapse. His cosmological system — four rhizomata governed by Love and Strife — attracts Edinger’s attention as an early projection of the archetypal quaternity onto the emerging psyche. Rohde and Sullivan attend to epistemological and psychological detail: the role of phren, noos, and blood in cognition; the doctrine of metempsychosis; and the question of whether Empedocles employed the term psyche at all. Snell foregrounds his technical similes as evidence of a methodological transition from poetic image to proto-scientific analogy. The corpus thus frames Empedocles as a liminal, irreducibly dual personality whose cosmological, cathartic, and biographical dimensions each illuminate fundamental questions about psyche, soul, and cosmos.