Dream distortion occupies a foundational position in the Freudian architecture of dream theory, functioning as the principal mechanism by which the unconscious disguises inadmissible wishes before they reach the dreaming consciousness. Freud’s account, elaborated across both The Interpretation of Dreams (1900) and the Introductory Lectures (1917), treats distortion not as incidental obscurity but as a deliberate, structurally necessary product of the psychic censorship: the ego’s moral agency deforms latent dream-thoughts into the strange, displaced, condensed imagery of the manifest dream precisely because those thoughts would otherwise disturb sleep and the dreamer’s self-image. The kernel of the theory, as Freud himself acknowledged, lies in deriving distortion from censorship. Jung’s account, represented in the Collected Works, accepts the descriptive phenomenon while contesting its interpretive framework: for Jung, the Freudian picture presents the dream as a logical fallacy unwound in reverse, reducing its apparent nonsense to a concealed reasonable statement, whereas the Jungian tradition regards the symbolic surface as prospective rather than merely defensive. Roesler’s contemporary survey introduces the critical empirical challenge: experimental dream research finds no evidence for a distortion mechanism separating latent from manifest content, pressing post-Freudian theorists toward models of direct symbolic expression. The corpus thus records a persistent triangular tension among the censorship-distortion thesis, the Jungian symbolic-teleological alternative, and the neuroscientific skepticism that dissolves the manifest/latent distinction entirely.