Divine Inspiration

The Seba library treats Divine Inspiration in 8 passages, across 8 authors (including James, William, Plato, Corbin, Henry).

In the library

through the influence of divine inspiration, I have become greatly excited, and have known neither the place in which I was, nor those who were present, nor myself, nor what I was saying, nor what I was writing

James presents divine inspiration as a phenomenologically verifiable altered state that dissolves ego-consciousness while flooding the recipient with supranormal insight and creative energy, and situates its mechanism in the subconscious sphere.

James, William, The Varieties of Religious Experience Amazon, 1902thesis

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good poets by a divine inspiration interpret the things of the Gods to us... the poets are only the interpreters of the Gods by whom they are severally possessed

Plato's Ion establishes the classical locus for divine inspiration as divine possession, positioning the poet as a passive conduit rather than autonomous creator — the foundational schema later repurposed by depth psychology as transmission from the collective unconscious.

Plato, Ion, -390thesis

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everything which emerges from the world of Mystery to take on a visible form, whether in a sensible object, in an imagination, or in an 'apparitional body,' is divine inspiration, divine notification and warning

Corbin, reading Ibn Arabi, universalizes divine inspiration to encompass all perception mediated by the Imaginative Presence, making it the ontological ground of visionary and prophetic experience rather than a sporadic supernatural gift.

Corbin, Henry, Alone with the Alone: Creative Imagination in the Sufism of Ibn Arabi, 1969thesis

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When he paused in his work to invoke divine inspiration, it was not to Jesus, Mary, or any Christian saint that he called, but to the Muses Nine... Apollo with his lyre

Campbell documents how medieval poets like Gottfried located divine inspiration in the classical Muses rather than Christian sources, linking this to Schopenhauer's aesthetics and the depth-psychological concept of transpersonal creative influence.

Campbell, Joseph, Creative Mythology: The Masks of God, Volume IV, 1968supporting

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to be discovered perchance with noos and with divine inspiration (B 3)

Sullivan's reading of Empedocles shows divine inspiration functioning alongside the cognitive faculty of noos as a complementary means of accessing truths that exceed ordinary sense perception and rational understanding.

Sullivan, Shirley Darcus, Psychological and Ethical Ideas What Early Greeks Say, 1995supporting

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He follows his imagination; he gives himself to his dreams. He savours his thoughts and his longings, and records them as they come floating through his mind.

Snell traces the emergence, in Virgil and the Augustan poets, of a poetics of receptive imagination and creative dream that functions as the secular successor to archaic divine inspiration.

Snell, Bruno, The discovery of the mind; the Greek origins of European, 1953supporting

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qui sensu non comprehenditur, sed intellectu solum per inspirationem vel revelationem divinam aut per doctrinam scientis

The Aurora Consurgens passage, cited by von Franz, embeds divine inspiration within alchemical epistemology as one of three legitimate paths to knowledge of the hidden stone — alongside intellectual discernment and transmission from a master.

von Franz, Marie-Louise, Aurora Consurgens: A Document Attributed to Thomas Aquinas on the Problem of Opposites in Alchemy, 1966aside

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the idea of possession is absent from Homer, and the inference is sometimes drawn that it was foreign to the oldest Greek culture

Dodds historicizes divine possession and its associated vocabulary, establishing that the concept of supernatural mental influence — foundational to later theories of divine inspiration — has a traceable developmental arc within Greek culture.

E.R. Dodds, The Greeks and the Irrational, 1951aside

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