Deceit occupies a paradoxical position in the depth-psychology corpus: it is at once a cosmological principle, a psychological mechanism, a moral category, and a narrative device. In Platonic ontology, deceit is the necessary companion of falsehood — wherever false speech exists, deceit follows, and with it a world populated by idols, images, and phantasms (Plato, Sophist). Greek mythological thought, as reconstructed by Detienne, frames deceit as Apate — a doubled power, both the seductive Apate of Aphrodite and the nocturnal Apate, sister of Lethe, patroness of logoi pseudeis — making deceit a constitutive ambiguity in speech itself. Vernant reads Hesiodic myth as encoding deceit’s triumph in the iron age, where lies and perjury signal the final dissolution of justice. Homer’s Odysseus presents perhaps the corpus’s richest figure of embodied deceit: his rhetorical multiplicity and capacity for self-reinvention are simultaneously survival strategy and heroic virtue. Sophocles, read through Cairns, dramatises deceit as a site of aidos — shame, honour-anxiety, and moral conflict coalesce when Neoptolemus is recruited into deception. The ascetic literature of Cassian and the Philokalia treats deceit as a demonic instrument operating through counterfeit virtue and illusory revelation. The tensions between deceit-as-trickster-intelligence and deceit-as-spiritual-corruption run throughout, making this one of the corpus’s most generative ethico-psychological nodes.